Narcisse-Virgilio Díaz (1807-1876)

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The woodland pond, 1867
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The Edge of the Forest at Les Monts-Girard, Fontainebleau, 1868

 

Charles Fairfax Murray (1849-1919)

Charles Fairfax Murray
The Kings’ Daughters, c. 1875
Taken from D.G. Rosetti’s poem ‘My Father’s Close’, translated from the old French, which appeared in his ‘Poems’, 1870.
Charles Fairfax Murray
Portrait of Clara Sentance, 1870
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The Last Parting of Helga and Gunnlaug
Catalogue Note from Sotheby’s: This watercolour probably dates from c.1880-85 and relates to an oil on panel (Delaware Art Museum) purchased in 1893 by Samuel and Mary Bancroft who formed one of the finest collections of Pre-Raphaelite art with Murray’s help and advice. In 1880 William Morris published with Eirikr Magnusson a translation from the Icelandic of Three Northern Love Stories, which included ‘The Story of Gunnlaug the Worm-Tongue and Raven the Skald’. The watercolour illustrates: ‘Now, one morning as the brothers Hermund and Gunnlaug went to Axe-water to wash, on the other side went many women towards the river, and in the company was Helga the Fair. Then said Hermund. ‘Dost thou see thy friend Helga there on the other side of the river?’ Surely I see her says Gunnlaug…Therewith they mcrossed the river, and Helga and Gunnlaug spake awhile together, and as the brothers crossed the river eastward back again, Helga stood and gazed long after Gunnlaug.’

 

Known more as collector, dealer and connoisseur of art and books, Charles Fairfax Murray worked as an assistant under several Pre-Raphaelites such as Edward Burne-Jones and Dante Gabriel Rossetti.

Yasuhiro Ishimoto (1921-2012)

Yasuhiro Ishimoto
Chicago, 1959-1961
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Untitled, 1950-1951

A few more photographs by Yasuhiro Ishimoto I planned to include in my original post. I seem to have misplaced the past few days.

Yasuhiro Ishimoto (1921-2012)

Yasuhiro Ishimoto 1
Halloween, Southside Chicago, 1951
Yasuhiro Ishimoto 2
Untitled, Chicago, 1951

Yasuhiro Ishimoto was born in San Francisco and spent his childhood in Japan. He later returned to America and was interned in Colorado during the Second World War. Settling in Chicago after WWII, he became immersed in the city’s photography scene which included such notables as Harry Callahan and Aaron Siskind.

These photographs feature his adopted city of Chicago which are gathered in the collection Chicago, Chicago (Bijutsu Shuppan-sha, 1969).

Minor White (1908-1978)

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Dumb Face, Frost on Window, Rochester, New York, 1959
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Moon and Wall Encrustations, 1964

Aubrey Beardsley (1872-1898)

 

Aubrey Beardsley
Frontpiece for Venus and Tannhauser
Aubrey Beardsley
Of a Neophyte and how the Black Art was Revealed unto Him by the Fiend Asomvel, 1893