Marianne Stokes, born Marianne Preindlsberger in Austria, was already an accomplished painter before her marriage to Adrian Scott Stokes. She went on to build her reputation as a significant talent in Victorian England.
Her earlier paintings tend to focus on rustic subject matter and landscapes, but her later work displays the strong influence of the Pre-Raphaelites.
Masahisa Fukase began the decade of work on The Solitude of Ravens (originally the photobook Karasu (Ravens) in Japan) after the dissolution of his marriage. Previously known for putting his wife at the center of his photography, his immersion in the environment and patterns of his native ravens resulted in a starkly beautiful, bleak and timeless collection of photographs.
I will be traveling and visting family over the next two weeks. I’ve scheduled a few posts and I’ll log in when I can, but if I don’t respond to your comments or it appears I’ve stopped paying attention to your posts, please know you are not being ignored.
Thank you for following and for all your kind and insightful comments. I’m sure I’ve received an unkind message along the way, but it obviously didn’t leave a mark.
Jacob Aue Sobol traveled from Moscow to Beijing on the Trans-Siberian during 2012-2014, making numerous stops in rural communities along the way. He photographed the landscape and people he encountered, but Arrivals and Departures is not a work of documentary photography. Intimate, personal, and starkly beautiful, it is a collection to be absorbed in its entirety. (Hint: Sobol’s site is a great place to start.)