Adolf Chwala (1836-1900)

Adolf Chwala
Night Landscape, late 19th century
Adolf Chwala mill
Mill in the Moonlight, before 1900

 

Byam Shaw (1872-1919)

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“Now Is the Pilgrim Year Fair Autumn’s Charge” (source unknown)
Byam Shaw 3
Love’s Baubles, 1897
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The Boer War, 1901
‘Last summer green things were greener, brambles fewer, the blue sky bluer’ – Christina Rossetti

 

Eugène Carrière (1849-1906)

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Le Baiser à la mère (Her Mother’s Kiss), 1899
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La nouvelle montre-bracelet
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Meditation, 1890-1893

 

Élisabeth Sonrel (1874-1953)

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Cordelia, date unknown
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La Forêt de Brocéliande, date unknown

 

Eilif Peterssen (1852-1928)

Eilif Peterssen 1
Moonrise over the dunes, 1883
Eilif Peterssen Nocturne
Nocturne, 1887

 

Narcisse-Virgilio Díaz (1807-1876)

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The woodland pond, 1867
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The Edge of the Forest at Les Monts-Girard, Fontainebleau, 1868

 

Charles Fairfax Murray (1849-1919)

Charles Fairfax Murray
The Kings’ Daughters, c. 1875
Taken from D.G. Rosetti’s poem ‘My Father’s Close’, translated from the old French, which appeared in his ‘Poems’, 1870.
Charles Fairfax Murray
Portrait of Clara Sentance, 1870
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The Last Parting of Helga and Gunnlaug
Catalogue Note from Sotheby’s: This watercolour probably dates from c.1880-85 and relates to an oil on panel (Delaware Art Museum) purchased in 1893 by Samuel and Mary Bancroft who formed one of the finest collections of Pre-Raphaelite art with Murray’s help and advice. In 1880 William Morris published with Eirikr Magnusson a translation from the Icelandic of Three Northern Love Stories, which included ‘The Story of Gunnlaug the Worm-Tongue and Raven the Skald’. The watercolour illustrates: ‘Now, one morning as the brothers Hermund and Gunnlaug went to Axe-water to wash, on the other side went many women towards the river, and in the company was Helga the Fair. Then said Hermund. ‘Dost thou see thy friend Helga there on the other side of the river?’ Surely I see her says Gunnlaug…Therewith they mcrossed the river, and Helga and Gunnlaug spake awhile together, and as the brothers crossed the river eastward back again, Helga stood and gazed long after Gunnlaug.’

 

Known more as collector, dealer and connoisseur of art and books, Charles Fairfax Murray worked as an assistant under several Pre-Raphaelites such as Edward Burne-Jones and Dante Gabriel Rossetti.

Aubrey Beardsley (1872-1898)

 

Aubrey Beardsley
Frontpiece for Venus and Tannhauser
Aubrey Beardsley
Of a Neophyte and how the Black Art was Revealed unto Him by the Fiend Asomvel, 1893